Micro Music Laboratories®
Micro Music Laboratories®


Home

Site Map

Editorial

THEORETICAL FUNDAMENTALS

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

Peter Hübner
Founder of the
Micro Music Laboratories

MAIN LINKS

STORE

 






Theoretical Fundamentals
  PART   VII            
  SPACE AND TIME IN MUSIC            
         
 
Conventional and Modern Mechanisms
of Musical Performance


   
 
To­day’s ma­chin­ery of mu­si­cal per­form­ance does not ex­pect this genu­ine, spiri­tual-mu­si­cal, crea­tive unity any­more and there­fore does not at­tempt to achieve it.

 
The Original Creative Unity of Music
 
 
Nev­er­the­less, to­day it is pos­si­ble, more than ever be­fore, to tech­ni­cally real­ize the unity of the com­po­si­tional analy­sis and syn­the­sis to the ex­tent that the lis­tener – by means of the outer acous­tic image – can di­rectly per­ceive it within him­self.

   
 
This suc­cess­ful outer pres­en­ta­tion of the in­ner world of the art of sound is the key of our time to mu­sic – and it is ap­plied most suc­cess­fully in the tech­nol­ogy of the “Dy­namic Space Stereo­phony.”

   
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



           
.