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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 1
I. The Process of
Creating Music
II. The Classical Teaching Scope of Music
III. The Inner Mechanics
of Creating Music
IV. Didactics of Music
V. The Force-Fields in Music
VI. The Purpose of
Music Tradition
VII. Space and Time in Music
VIII. The Physics of Music
IX. The Systems of Order
in Music
X. Scientific Fundamentals of Music Aesthetics
XI. The Science of Music
XII. Music & Speech
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 Peter Huebner
 Founder of the
 Micro Music Laboratories
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Micro Music Laboratories®
Micro Music Laboratories®
Theoretical Fundamentals
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PART   IX
  
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL CREATIVITY
  
         
   

THE SYSTEMS OF ORDER IN MUSIC

  1. Tonality
  2. Differences in Understanding as Reflected by Language
  3. The Beginnings of Musical History
  4. The “New Sound” Composers of the 20th Century and the Range of Intervals
  5. Advancing to the Transcendental Play of Music
  6. Musical Insight into the Culture of Peoples
  7. Musical Relationships
  8. The Musical Path to Self-Knowlegde
  9. Homophony
  10. Polyphony
  11. The Counterpoint
  12. The Threefold Perfect Form of the Harmony
  13. Relations in Music

    
                                     
                               
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES