CONVEYING TRUTH IN MUSIC

1. Music and Nature
2. The Fires of Cognition in Music
3. Music and Philosophy – A Comparison
4. The Wayless Way of Gaining Knowledge in Music
5. The Dimension of Conveying Knowledge in Music

PART I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC

1. The System of the Fields of Knowledge in Music
2. The Function of the Fields of Cognition in Music
3. Immediate Knowledge of the Musical Meaning
4. The Structure of the Fields of Cognition in Music
5. The Fields of Knowledge of the Musical Representation
6. Patterns of Perfect Education in Music

PART II
THE LOGIC OF THE MUSICAL FIELDS
OF COGNITION

1. Empirical Gaining Knowledge in Music
2. The Unlimited Course of Life in Music
3. The Levels of Gaining Knowledge in Music
4. The Process of Musical Perception
5. The System of Musical Deduction
6. The Technique of Musical Comparison
7. The Steps of Musical Cognition
8. Creating Music as an Empirical Process of Knowing
9. The Authentic Musical Statement
10. Integration of Outer and Inner Musical Knowledge

PART III
IMMORTAL AND MORTAL TRADITION OF MUSIC

1. The Measure of Musical Perfection
2. The Freedom of the Musical Meaning
3. Doubt in the Process of Finding Musical Truth
4. Producing Heat and Cold in Music
5. The Harmonizing Nature of True Classical Music
6. The Intention of the practical Fundamentals of Universal Cognition
7. The Totality of All Happiness of Life in Mind

PART IV
THE LIVING EXAMPLE OF THE
MUSICAL COGNITION OF TRUTH

1. The Example of the Composer in the Cognitive Process in Music
2. Fixed Principles in the Process of Gaining Knowledge in Music
3. The Stream of Musical Gaining Knowledge
4. The Process of Musical Consideration
5. Streams of Energy and Intelligence in the Process of Gaining Knowledge in Music
6. The Inner Logic of the Musical Process Knowing
7. The Musical Creator Carries His Natural Responsibility
8. The Listener’s Freedom from Fate

PART V
THE THREE GREAT STEPS OF THE
MUSICAL PROCESS OF GAINING KNOWLEDGE

1. The Three Steps towards Truth
2. The Cognizant Music Listener
3. The Object of Knowing in Music
4. The Process of Knowing
5. The Art of Drawing Conclusions in Music
6. The Musical Experience of the Almighty Creative Force of the Harmony
7. The Purpose of Musical Logic
8. Musical Enlivening of the Self-Awareness in the Listener
9. The Joy-Giving Process of Creativity

PART VI
THE SYSTEM OF INTELLECTUAL
DISCUSSION IN MUSIC

1. Musical Confrontation of Feeling and Understanding
2. The Nourishing Flood of Pure Alertness in the Harmony
3. The Musical Dispute
4. The Understanding Without the Perfect Nourishment of Pure Self-Awareness
5. The Process of Intellectual Clarification in Music
6. Feeling and Understanding in the World of the Harmony
7. The Absolute Sound-Substance in Perfect Function
8. The Musical Dispute as the Most Free Kind of Playful Diversity
9. Musical Depreciation
10. Structural Musical Analysis of Values
11. Breaking Off the Cognitive Process in Music
12. Natural Structuring of the Sound Pattern in Music

PART VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC

1. The Fallacy in Gaining Knowledge in Music
2. No Deduction in the Absolute Musical Force-Field of the Harmony
3. The Contradictory in Gaining Knowledge in Music
4. The Answer Being Equivalent to the Question in Music
5. The Level of Perfect Creativity of the Absolute Tone
   Substance
6. The Unproved in Gaining Knowledge in Music
7. The Secret Rulers of the Tonal Stars of Music
8. The Secret Ruler of All Music
9. Knowing the Unreality of the Outer Musical Happening
10. The Belated

PART VIII
EQUIVOCATION

1. Equivocation Due to Separateness of Meaning and Form
2. The Dual Musical Truth
3. Equivocation through Deducing the Meaning from the Form
4. Equivocation through Deducing the Form from the Meaning
5. Superficial Deduction
6. The System of the Creative Process in Music
7. Contradiction to Fundamental Truths in the Musical Gaining of Knowledge

PART IX
THE SECRET OF MUSIC

1. The Secret Exchange of Experiences of the Listener with the Creative Form of the Music Creator
2. The Great Musical Turning-Point
3. The Father of the World-Creators in Music
4. The Technique of THE PRACTICAL FUNDAMENTALS OF UNIVERSAL COGNITION
5. The Fires of Cognition of Music
6. Step by Step the Social Awareness Awakens in the Listener
7. Knowing Unity in Music

PART X
THE ULTIMATE GOAL OF GAINING
KNOWLEDGE IN MUSIC

1. Ultimate Knowledge in Music
2. The Creative Power of the Absolute Sound-Substance
3. The Art of Discrimination in Music
4. The Art of Not Being Bound in Music
5. The Six Treasures of Musical Cognition
6. Control over the Mind
7. Control over the Sense of Hearing
8. Abstaining from Limitation
9. Patience
10. Belief
11. Equanimity
12. Desire for Liberation

PART XI
INDIRECT AND DIRECT GAINING
KNOWLEDGE IN MUSIC

1. Ancient Truths in Music
2. The Golden Net of Knowledge in Music
3. The Great Musical Sense of Achievement
4. The Organs of Cognition in the Process of Gaining Knowledge in Music
5. Necessity of the Neurophysiological Integration
6. The Performance of the Self-Awareness in the Musical Process of Knowing
7. The Self-Awareness Systematically Practises Self Identification
8. Insight into the Basis of Music
9. Fundamentals of Modern Musicology
10. Limitations of Conventional Musical Education
11. Increase of Performance of the Intellect in Music
12. The Eigenfunction of the Intellect as the True Musical Creator
13. The Journey to the Eternal Sources of Music
14. The Highest Intellectual Achievement Possible to Man
15. Authentic, Successful Musicology
16. The Music Listener at the Origin of all Creative Thinking
17. Purposeful Development of Performance in the Field of our Neurophysiology
18. The Musician and His Surroundings
19. The True Organs of Finding Truth in Music

PART XII
THE PATH OF KNOWLEDGE AND THE
GOAL OF TRUTH

1. The Path of Knowledge and the Goal of Truth
2. The Fields of Knowledge in the Musical Representation
3. The Musical Way of Cognition to Wisdom and
   Happiness of Life
4. Absolute Love of Truth in Music