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THEORETICAL FUNDAMENTALS

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

Abstaining from Limitation

Patience

Belief

Equanimity

Desire for Liberation

 

Peter Hübner
Founder of the
Micro Music Laboratories

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Theoretical Fundamentals
.
 
PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
The Art of Not Being Bound in Music


   
 
Af­ter hav­ing ad­vanced into the in­fi­nite force-field of the har­mony by per­ceiv­ing the ab­so­lu­te sound-sub­stance, the lis­tener rec­og­nizes this ab­so­lu­te mu­si­cal world as not at all bound to the rela­tive mu­si­cal proc­ess.
On the other hand, he iden­ti­fies the rela­tive mu­si­cal proc­ess as be­ing bound to the ab­so­lu­te force-field of the har­mony.

 
The Free, Independent, Absolute Musical World of the Harmony
 
 
At the same time, how­ever, he sees him­self free from the outer lim­ited mu­si­cal sphere of ex­peri­ence in the rela­tive field of mu­sic.

   
 
This cos­mic free­dom the crea­tive mu­sic lis­tener pre­serves through his continu­ous, clear per­cep­tion of the ab­so­lu­te sound-sub­stance.
And in his tools of cog­ni­tion – on the level of his pure self-aware­ness, in the field of his in­tel­lect, in feel­ing and un­der­stand­ing, in the sound-sub­stance of his mind, in his sense of hear­ing, and more­over, even in his neu­ro­physi­ol­ogy – he sus­tains this per­fect per­cep­tion in a six­fold man­ner.

 
The Listener’s Cosmic Freedom from Limited Experience of Music
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
 With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



           
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