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The Science of Music

The Scope of the
Science of Music

The Inner Breath of Music

The Function of the
Inner Breath in Music

The Scientific Aspect
in Music

The Perfect Musical

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of Music Analysis
of the Composer

The Aspect of
Humanities in Music

The True Field of
Science in Music

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The Physics of Music

The Physiology of Music

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Music Critique

Dance in Music


Peter Hübner
Founder of the
Micro Music Laboratories




  The Science of Music
The Physics of Music

The phys­ics of mu­sic in the ob­jec­tive field is based on the meta­phys­ics of mu­sic – pro­vided the ori­gin of mu­sic, the har­mony, the ob­jec­tive basis of mu­sic, is per­ceived – and in the sub­jec­tive field it is based on self-knowl­edge.

Between Metaphysics and Self-Knowledge
Fur­ther­more, the phys­ics of mu­sic ranges from the tech­nol­ogy of sub­jec­tive mu­si­cal pro­duc­tion – the me­chan­ics of the mind, the me­chan­ics of the in­tel­lect, and the me­chan­ics of the senses and their mas­tery by the in­ner self – to the phys­ics of mu­si­cal in­stru­ments, and to the en­tire ma­chin­ery of mu­si­cal pro­duc­tion, and mu­si­cal re­pro­duc­tion re­spec­tively.

The Physics of Generating Music
In this con­text it is nec­es­sary to dis­tin­guish, from within as well as from out­side, be­tween the phys­ics of mu­sic and the phys­ics of an acous­tic event, be­cause the phys­ics of mu­sic, with com­pel­ling logic, con­tains the crea­tive back­ground for pro­duc­ing mu­sic, while the phys­ics of the acous­tic event does not take into ac­count the im­por­tant fac­tor of crea­tiv­ity, which alone trans­forms an acous­tic event es­sen­tially into mu­sic.

The Physics of Music and the Physics of the Acoustic Performance
  With kind permission of AAR EDITION INTERNATIONAL