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Theoretical Fundamentals
 
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THEORETICAL FUNDAMENTALS
UNIVERSAL
MUSIC THEORY 2
Conveying Truth in Music
I. The Object of Gaining Knowledge in Music
II. The Logic of the Musical Fields of Cognition
III. Immortal and Mortal Tradition of Music
IV. The Living Example of the Musical Cognition
of Truth
V. The Three Great Steps of the Musical Process of Gaining Knowledge
VI. The System of Intellectual Discussion
in Music
VII. Errors in Gaining
Knowledge in Music
VIII. Equivocation
IX. The Secret of Music
X. The Ultimate Goal of Gaining Knowledge in Music
XI. Indirect and Direct Gaining Knowledge
in Music
XII. The Path of Knowledge
and the Goal of Truth
.
 Peter Huebner
 Founder of the
 Micro Music Laboratories
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PART   VIII
  
 
THE PRACTICAL FUNDAMENTALS OF UNIVERSAL COGNITION
  
         
   

EQUIVOCATION

  1. Equivocation Due to Separateness of Meaning and Form
  2. The Dual Musical Truth
  3. Equivocation through Deducing the Meaning from the Form
  4. Equivocation through Deducing the Form from the Meaning
  5. Superficial Deduction
  6. The System of the Creative Process in Music
  7. Contradiction to Fundamental Truths in the Musical Gaining of Knowledge


    
     
     
                               
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
  With kind permission of AAR EDITION INTERNATIONAL
© 1998 –  MICRO MUSIC LABORATORIES



  
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