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The Systems of
Order in Music


in Understanding as Reflected by Language

The Beginnings of
Musical History

New Sound Composer
of the 20th Century and the
Range of Intervals

to the Transcendental
Play of Music

Musical Insight into the Culture of Peoples

Musical Relationships

The Musical Path
to Self-Knowlegde



The Counterpoint

The Threefold Perfect
Form of the Harmony

Relations in Music


Peter Hübner
Founder of the
Micro Music Laboratories




  The Systems of Order in Music
The Counterpoint

Whereas the melody de­scribes the in­di­vid­ual jour­ney of man on his path of evo­lu­tion, po­lyph­ony de­scribes many such paths in their com­bi­na­tion.
This is called “coun­ter­point.”

Individual Paths of Destiny in an Interwoven Musical Presentation
The high art of the coun­ter­point lies in not only con­sid­er­ing in­di­vid­ual paths of des­tiny, but in com­bin­ing many of them and allowing them to act and react with each other; this cre­ates a much greater va­ri­ety of ex­peri­ence.

In true po­lyph­ony, the in­di­vid­ual motif in its de­vel­op­ment not only af­fects the un­fold­ment of other life paths, but it also merges its own path of des­tiny so in­ti­mately with the paths of un­fold­ment of the other mo­tifs that it embod­ies the vi­tal­ity of all the oth­ers.

True Polyphony
Through the per­fect in­te­gra­tion of the poly­phonic pa­rame­ters the lis­tener ex­peri­ences in the high art of the fugue how all the en­er­gies which he needs for the full use of his free crea­tive will, for the mas­tery over his per­sonal path of des­tiny, can flow to him natu­rally and spon­ta­ne­ously from the life im­pulses of his fel­low men.

The Art of the Fugue
Through the high art of the fugue – through the su­preme mas­tery of the coun­ter­point, through the in­te­grated mas­tery over the poly­phonic pa­rame­ters – po­lyph­ony thus de­scribes the ob­jec­tive, com­pre­hen­sive view of our in­ter­woven paths of des­tiny as we pro­ceed on our way to com­plete in­di­vid­ual and so­cial free­dom.

The Supreme Mastery of the Counterpoint in the Fugue
  With kind permission of AAR EDITION INTERNATIONAL